Idsummer Again – Roma Surrectum Ii

Midsummer Men (The Babyons #2)

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Title: Midsummer Men (The Babyons #2)
Writer:
Ashton, WinifredWriting under the pseudonym: Dane, Clemence
(3 of 4 for author by title)
Third Person Singular (The Babyons #1)
Lady Babyon (The Babyons #4)
Published: 1928
Publisher: Doubleday, Doran & Company, Inc.
Tags: fiction, Family Saga
Description:

Four long stories strung together by a supernatural thread and chronicling the family history of the Babyons over a menstruation of near 200 years. The ghostly thread is introduced in the first story, "3rd Personal Singular," a tale of 1750.

James Babyon, engaged to marry his cousin Hariot, becomes all of a sudden averse from her and breaks the engagement within a calendar month of the date set for the wedding. In a passionate scene in which the probable madness of Hariot is subtly suggested she pleads with him and, finding him adamant, cries that they are already married in soul and are inseparable. That his cousin really is subject to fits of madness he does not learn until he is wedded to her companion Menella. He and Menella get to Europe to find everywhere that people have a curious fear of them; a fearfulness which spreads to their servants and, when he learns that Hariot committed suicide, to Babyon himself.--The Australian Woman's Mirror 29 May 1928. [Suggest a different description.]

Downloads: 163
Pages: 74Info

Writer Bio for Ashton, Winifred

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Clemence Dane (proper name for the London church, St Clement Danes) was the pseudonym of Winifred Ashton, an English language novelist and playwright (1888-1965). Between Globe Wars I and II, she was arguably Uk'south most successful all-round writer, with a unique place in literary, stage and cinematic history. Dane won an Oscar for her screenplay "Vacation from Marriage,". School teacher, novelist, playwright and magazine editor, Dane wrote at to the lowest degree 30 plays and sixteen novels.

One series she was famous for was The Babyons, by Clemence Dane. Four long stories strung together past a supernatural thread and chronicling the family history of the Babyons over a period of about 200 years. The ghostly thread is introduced in the offset story, "Third Personal Atypical," a tale of 1750. James Babyon, engaged to ally his cousin Hariot, becomes suddenly averse from her and breaks the engagement inside a month of the date set for the wedding. In a passionate scene in which the probable madness of Hariot is subtly suggested she pleads with him and, finding him adamant, cries that they are already married in soul and are inseparable. That his cousin actually is subject to fits of madness he does not learn until he is wedded to her companion Menella. He and Menella get to Europe to discover everywhere that people have a curious fearfulness of them; a fear which spreads to their servants and, when he learns that Hariot committed suicide, to Babyon himself. He regards himself directly responsible for her death, becomes obsessed with the belief that she haunts him, and the tragedy ends with his madness. The second story is dated 1775, the tertiary 1820-1873, and the terminal 1902-1906. These stories are lighter than the first stark tragedy, and they end with peace at last given to the Babyons. Through them all runs the influence of Hariot, that strange, wildly passionate adult female of 1750. Fine, dramatic work of large conception.--The Australian Adult female's Mirror 29 May 1928.

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